Country Thunder Florida Relocates to Clearwater, Shifting Festival Footprint Weeks Before Kickoff

Promotional image for Country Thunder Florida relocation to Clearwater
Country Thunder Florida will now take place at Coachman Park in Clearwater from May 8–10, 2026.

The late-stage venue change moves the event inland to a bayside park, altering logistics and expectations for fans.

Country Thunder Florida’s 2026 edition is undergoing a significant reset, with organizers relocating the festival roughly 20 miles from its originally announced St. Pete Beach site to Coachman Park in Clearwater. The move, confirmed just 30 days ahead of the May 8–10 dates, shifts the experience from a beach setting to a bayside, waterfront park in the city’s downtown corridor.

While the announcement frames the new location as a “beachside edition,” Coachman Park itself sits along the bay, not directly on Clearwater Beach, which is located several miles away. The distinction reshapes the on-the-ground experience for attendees expecting a beachfront festival environment.

Festival leadership points to infrastructure and execution as the driving forces behind the decision. “It became clear that Clearwater offered the infrastructure and community partnership needed to bring this event to life the right way,” said Executive Director Kim Blevins, emphasizing the ability to deliver the full vision at the new site.

City officials echoed the urgency behind the transition, noting the compressed timeline required to relocate an event of this scale. “There’s a lot that goes into expediting event preparations and moving a festival 30 days before it is scheduled,” said Clearwater City Manager Jennifer Poirrier.

The relocation also introduces real-world implications for fans who had already made travel plans tied to the original St. Pete Beach location. With the new site positioned inland, attendees with accommodations near the previously announced venue now face adjusted transportation and logistics heading into festival weekend.

Despite the geographic shift, the lineup remains unchanged, led by Zach Top, Gavin Adcock, and Kane Brown, alongside Randy Houser, Max McNown, Shaboozey, and Dasha.

At its new home, the festival will expand across Coachman Park’s waterfront grounds, featuring vendors, food offerings, a secondary stage highlighting Florida artists, and a songwriter showcase. The event is also supported by local coordination efforts, including the rescheduling of The Florida Orchestra’s Symphony by the Sea to accommodate the festival.

Notably, the announcement does not reference the use of The BayCare Sound amphitheater within Coachman Park as part of the festival setup, focusing instead on the broader park grounds and overall site capabilities.

With approvals secured and planning accelerated, Country Thunder Florida now pivots toward executing a reworked festival experience in Clearwater—one that reflects both the opportunities and challenges of a last-minute move.


About Post Author

Country Entertainment News

Christina Keys has over a decade of experience in NASCAR, building a dynamic career spanning media, public relations, sponsorship acquisitions, and brand representation. Her 13-year journey included roles ranging from promotional model—as Miss Valvoline—to business owner, having launched an apparel line specifically tailored for female motorsports fans. She also owned and operated two media outlets within NASCAR, and her work behind the lens led to shooting for Getty Images at some of the sport’s biggest events. These diverse experiences gave her a 360-degree view of the motorsports industry, both on and off the track. Outside of NASCAR, Keys worked in minor league baseball with the Pioneer League, broadening her understanding of sports marketing and fan engagement in a different arena. In addition, she holds a degree in audio engineering and began her career in music at the renowned Sumet-Burnet studio in Dallas, Texas. Having grown up in recording studios from the age of nine, music has always been her first love. Her time in Dallas also included hands-on experience in artist booking and management, where she supported emerging bands through label signings, tours, and the often unpredictable realities of the music business.
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