NEEDTOBREATHE Announces The Long Surrender Tour

NEEDTOBREATHE promotional image for The Long Surrender Tour
NEEDTOBREATHE will headline The Long Surrender Tour across the U.S. with support from Drew & Ellie Holcomb.

NEEDTOBREATHE will take their latest project on the road this year, confirming The Long Surrender Tour, a 25-date nationwide run set to launch in August. The announcement follows the release of their tenth studio album, The Long Surrender, marking a new chapter for the GRAMMY-nominated band.

Kicking off August 12 in Maryland Heights, Missouri, the tour will carry the group through major amphitheaters and destination venues across the country, including Los Angeles’ Greek Theatre, Colorado’s Red Rocks Amphitheatre, and Franklin, Tennessee’s FirstBank Amphitheatre. The run wraps with a homecoming show in Greenville, South Carolina at Bon Secours Wellness Arena.

All dates on the tour will feature support from indie-folk duo Drew & Ellie Holcomb. Tickets for the tour are on sale now, with additional dates expected to be announced.

The tour arrives alongside The Long Surrender, released via MCA and produced by nine-time GRAMMY winner Dave Cobb. The album represents a shift in the band’s creative process, with lead singer Bear Rinehart driving much of the songwriting in a period of personal reflection and recalibration. The project was recorded at Cobb’s Savannah studio and captures a more immediate and unfiltered approach to the band’s sound.

Tour Dates:

August 12 — Maryland Heights, MO — Saint Louis Music Park
August 14 — Dillon, CO — Lake Dillon Amphitheatre
August 15 — Sandy, UT — Sandy City Amphitheater
August 16 — Sandy, UT — Sandy City Amphphitheater
August 18 — Los Angeles, CA — Greek Theatre
August 20 — Bend, OR — Hayden Homes Amphitheater
August 21 — Seattle, WA — Marymoor Amphitheater
August 22 — Airway Heights, WA — Northern Quest Resort & Casino – BECU Live
August 23 — Bonner, MT — KettleHouse Amphitheater
August 25 — Moorhead, MN — Bluestem Amphitheater
August 27 — Chicago, IL — The Salt Shed – The Shed
August 28 — Cleveland, OH — Jacobs Pavilion at Nautica
August 29 — Indianapolis, IN — Everwise Amphitheater
August 30 — Rochester Hills, MI — Meadow Brook Amphphitheatre
September 5 — Charlotte, NC — Skyla Credit Union Amphitheatre
September 6 — Charleston, SC — Firefly Distillery
September 9 — Irving, TX — The Pavilion at Toyota Music Factory
September 10 — Rogers, AR — Walmart Arkansas Music Pavilion
September 11 — Brandon, MS — Brandon Amphitheater
September 12 — Austin, TX — Moody Amphitheater
September 14 — Morrison, CO — Red Rocks Amphitheatre
September 17 — Franklin, TN — FirstBank Amphitheater
September 18 — Birmingham, AL — Coca Cola Amphitheater
September 19 — Alpharetta, GA — Ameris Bank Amphitheatre
September 20 — Greenville, SC — Bon Secours Wellness Arena

📸 Alyssa Gafjken


About Post Author

Country Entertainment News

Christina Keys has over a decade of experience in NASCAR, building a dynamic career spanning media, public relations, sponsorship acquisitions, and brand representation. Her 13-year journey included roles ranging from promotional model—as Miss Valvoline—to business owner, having launched an apparel line specifically tailored for female motorsports fans. She also owned and operated two media outlets within NASCAR, and her work behind the lens led to shooting for Getty Images at some of the sport’s biggest events. These diverse experiences gave her a 360-degree view of the motorsports industry, both on and off the track. Outside of NASCAR, Keys worked in minor league baseball with the Pioneer League, broadening her understanding of sports marketing and fan engagement in a different arena. In addition, she holds a degree in audio engineering and began her career in music at the renowned Sumet-Burnet studio in Dallas, Texas. Having grown up in recording studios from the age of nine, music has always been her first love. Her time in Dallas also included hands-on experience in artist booking and management, where she supported emerging bands through label signings, tours, and the often unpredictable realities of the music business.
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